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Galfimbul

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Duke Ellington - Berlin ''65, Paris ''67

Жанр: Big Band, Early Jazz, Swing
Носитель: CD
Страна-производитель диска: США
Год издания: 1997
Издатель (лейбл): Pablo
Номер по каталогу: PACD-5304-2
Аудиокодек: FLAC (*.flac)
Тип рипа: tracks+.cue
Битрейт аудио: lossless
Продолжительность: 51:37
Источник (релизер): Ellingtonia (what)
Наличие сканов в содержимом раздачи: нет

Треклист:
01. Midriff (Strayhorn) - 5:17
02. Ad Lib on Nippon (Ellington) - 15:11
03. Chelsea Bridge (Strayhorn) - 4:29
04. Happy-Go-Lucky Local (Ellington-Ellington-Strayhorn) - 5:01
05. Blood Count (Strayhorn) - 4:01
06. Harmony in Harlem (Ellington-Mills-Hodges) - 2:14
07. Things Ain''t What They Used to Be (Ellington-Ellington-Persons) - 3:11
08. Drag (Ellington) - 4:48
09. Rockin'' in Rhythm (Mills-Ellington-Carney) - 5:12
10. (The) Second Portrait of the Lion (Ellington) - 2:13

Состав:
Duke Ellington - piano
Cat Anderson, Cootie Williams, Herbie Jones, Mercer Ellington, Ray Nance (#1-4), Money Johnson (#5-10) - trumpets
Lawrence Brown, Buster Cooper, Chuck Connors - trombones
Russell Procope, Johnny Hodges - alto saxophones
Jimmy Hamilton - clarinet, tenor saxophone
Paul Gonsalves - tenor saxophone
Harry Carney - baritone saxophone, clarinet
John Lamb - bass
Sam Woodyard (#1-4), Rufus Jones (#5-10) - drums

Recorded at the Sportpalast, Berlin on February 3, 1965 (#1-4) and at Salle Pleyel, Paris on March 10, 1967 (#5-10).
X Lossless Decoder version 20131102 (145.0)

XLD extraction logfile from 2013-12-29 19:57:37 -0800

Duke Ellington / Berlin 65 - Paris 67

Used drive : HL-DT-ST DVDRAM GP10NB20 (revision 1.04)Media type : Pressed CD

Ripper mode : XLD Secure RipperDisable audio cache : OK for the drive with a cache less than 1375KiBMake use of C2 pointers : NORead offset correction : 6Max retry count : 100Gap status : Analyzed, Appended (except HTOA)

TOC of the extracted CD Track | Start | Length | Start sector | End sector --------------------------------------------------------- 1 | 00:00:00 | 05:16:52 | 0 | 23751 2 | 05:16:52 | 15:10:43 | 23752 | 92044 3 | 20:27:20 | 04:29:10 | 92045 | 112229 4 | 24:56:30 | 05:00:70 | 112230 | 134799 5 | 29:57:25 | 04:01:15 | 134800 | 152889 6 | 33:58:40 | 02:13:42 | 152890 | 162906 7 | 36:12:07 | 03:11:18 | 162907 | 177249 8 | 39:23:25 | 04:47:67 | 177250 | 198841 9 | 44:11:17 | 05:12:00 | 198842 | 222241 10 | 49:23:17 | 02:13:23 | 222242 | 232239

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Track 01 Filename : /Volumes/Seeding/Duke Ellington - Berlin 65 - Paris 67 (1997) [FLAC]/01 Midriff.flac Pre-gap length : 00:02:00

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Track 05 Filename : /Volumes/Seeding/Duke Ellington - Berlin 65 - Paris 67 (1997) [FLAC]/05 Blood Count.flac Pre-gap length : 00:03:00

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Track 06 Filename : /Volumes/Seeding/Duke Ellington - Berlin 65 - Paris 67 (1997) [FLAC]/06 Harmony in Harlem.flac

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Track 07 Filename : /Volumes/Seeding/Duke Ellington - Berlin 65 - Paris 67 (1997) [FLAC]/07 Things Aint What They Used To Be.flac

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Track 08 Filename : /Volumes/Seeding/Duke Ellington - Berlin 65 - Paris 67 (1997) [FLAC]/08 Drag.flac

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Track 09 Filename : /Volumes/Seeding/Duke Ellington - Berlin 65 - Paris 67 (1997) [FLAC]/09 Rockin In Rhythm.flac

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Track 10 Filename : /Volumes/Seeding/Duke Ellington - Berlin 65 - Paris 67 (1997) [FLAC]/10 Second Portrait of the Lion.flac

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No errors occurred

End of status report

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By the mid-1960s, the Duke Ellington Orchestra were hardened world travelers and a well-oiled machine that could handle time zones and European audiences with nary an off night. This collection of tracks from Norman Granz'' "Jazz At The Philharmonic" master holdings brings together highlights from concerts in Berlin in 1965 and Paris in 1967 and shows what a fine playing and occasionally improvisational unit the band always was. With only a couple of personnel changes between the two years, the Ellington orchestra plays with verve and flair, kicking off with Billy Strayhorn''s "Midriff" from the Berlin concert. This is followed by a 14-minute piece called "Ad Lib On Nippon" based on the band''s travels to Japan, featuring the clarinet work of co-composer Jimmy Hamilton. Another Strayhorn composition, "Chelsea Bridge," provides an ample showcase for tenor saxophonist Paul Gonsalves, who invests his solo passages with so much emotion that Ellington calls for an encore at tune''s end.
"Happy-Go-Lucky Local" (originally part of his Deep South Suite) was one of Duke''s most successful "train tunes," and again, Gonsalves provides most of the fireworks on this Ellington flag waver. The 1967 Paris concert begins with one of Billy Strayhorn''s final compositions, "Blood Count," a somber, reflective piece that features a beautiful solo from Johnny Hodges. Hot on the heels of that is the jumping "Harmony In Harlem," which features Hodges doing some atypically (for him) fast solo work. This sets the stage for Johnny''s extended workout on "Things Ain''t What They Used to Be," a pithy reminder that the alto sax great was a great blues player as well as a master of ballad artistry. The response to this number is so overwhelming that Ellington features him again on "Drag," a soulfully constructed 16-bar piece that finds Hodges in a most playful mood and the audience responding wonderfully in kind. Ellington follows this with a 30-year-old staple of his band book, "Rockin'' In Rhythm," featuring marvelous solos from Harry Carney on clarinet, Lawrence Brown on trombone and Cat Anderson blasting the band out on the coda, hitting high notes at the end with Al Killian-like authority. The concert and disc finish with Duke answering a request for "The Second Portrait of the Lion," a lively example of Ellington''s seldom-heard stride piano playing. Surviving tapes sound reasonably good, and this makes a wonderful addition to Duke''s legacy of live recordings.


Трекер:  [ 30-Дек-2013 15:49 ]

  

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